For Dickens, Christmas is a reminder that we are all Scrooges, self-centered ungrateful nobs who yet have some hope of appeasing God through our personal reform.The entire piece is marked by perceptive theological insight. You may read it here. (HT: Justin Taylor)
For Handel, Christmas reminds us that we are all sinners, we are “in Adam,” and for that we are helpless to stop God’s righteous judgment towards our sin. Yet there is One who has paid the price to quench God’s wrath on our behalf.
In both A Christmas Carol and Messiah, all our warm and tranquil Hallmark Christmas sentimentality gets blasted by cold reality. Death is coming for us all, and the grave is approaching quickly.
Dickens wants people to die in peace.
Handel wants people raised from the dead.
Dickens’ hope is rooted in the future — in the finished work of moral reform necessary in our lives.
Handel’s hope is rooted in the past — the full and complete work of Christ on our behalf.
Dickens’ message is “do.”
Handel’s message is “done.”
Dickens’ work is good for what it is, a seasonal, warmhearted morality tale. For that I find it agreeable and commendable. But Handel’s work comprehends the scope of the hope-giving and guilt-freeing meaning of Christmas. For that I find eternal comfort, and hope for my ongoing battle against my inner self-centered, thankless Scrooge.
Wednesday, December 14, 2011
A Christmas contrast: Dickens and Handel
Tony Reinke, who is an author and assistant to C.J. Mahaney, took his family to both “A Christmas Carol” and “Messiah” recently in the Washington, D.C., area. In these two works traditionally performed at this time of year, he recognized a profound contrast in the approaches to Christmas and salvation by Charles Dickens and George Frideric Handel. In a Dec. 12 blog post, he closed with:
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